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The ABC organ console in closeup, taken in the 1960s - photo JD Sharp |
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The Blackheath Compton organ, serial number A433, is a 3-manual cinema organ built on the extension principle typical of most such instruments. It has eight extended ranks of pipes from which the various tone colours and pitches are taken. There are about 700 pipes in total together with tuned & non-tuned percussion and sound effects typical of cinema organs. The console is remote from the pipe chambers and was originally connected by a bundle of about 500 wires. This, together with the old relay system, is being replaced in its new home by a modern state-of-the-art digital control system, although the functionality and features of the organ will remain as they always were. The organ also features a Compton patented Melotone unit which is a tone generation system that produces sine wave tones electrostatically. The sound emanates from a large horn speaker originally placed just outside the organ chambers. |
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The specification of the organ is as follows: Accomp chamber Main chests: Offset chests (bass): Traps - this is the sound effects and non-tuned percussion section consisting of effects such as bird whistle, car horn, train whistle & fire bell and percussion such as bass drum, cymbals, snare drum and wood block. These are all real instruments or whistles etc. and are played from the organ console via the relay system and pneumatically operated beaters or, the case of the whistles by valves to let the air in. Solo chamber Main chests: Offset chests (bass): Xylophone Melotone horn (outside swell shutters) |
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Below are some selected audio recordings as mp3 files. These are taken from a recording by Dudley Savage made in the 1970s. The selected tracks show the versatility of the ABC organ in a range of musical styles, from light cinema organ favourites to classical works and even hymns. Track 1 - Just for Two - Written by Dudley himself, a rousing up-beat tune Track 2 - Eleanora - a lively waltz which perhaps falls midway between theatre style and light classical. Dudley opens the organ up at the end for a rousing finish Track 3 - Charm of the Waltz - A light classical waltz selection Track 4 - I will wait for you - A 1960s favourite by Michel LeGrand. Dudley uses the melotone here as well as other theatre voices and a little percussion on the accompaniment Track 5 - Prelude in Classic Style - A Bach-esque piece which nicely shows off the organ’s more delicate flue work and classical side but then develops with the reeds to full organ Track 6 - Hereford - Well loved hymn tune again demonstrating the organ’s strengths in the classical mode and also its sheer power and quality Track 7 - Cross of Jesus - Another hymn Track 8 - Wishing - A slow ballad in lush theatre organ style. Note the Melotone sound again at the beginning Track 9 - Spanish Gypsy Dance - This piece demostrates the use of the organ’s non-tuned percussion in a light popular piece Track 10 - Begin the Beguine - 1930s popular melody by Cole Porter. Dudley uses the solo trumpet to good effect here Track 11 - Irish Melodies selection - An interesting range of tone colours and tempos is presented here Track 12 - The Syncopated Clock - A novelty number which nicely features the glockenspiel and xylophone |