Specification
The Guildhall organ pipework is arranged between four chambers above the
proscenium arch. From right to left as facing the stage these are, Great/Choir,
Swell, Solo, sub bass.
The ranks and items contained within each chamber are as follows:
Sub Bass |
Solo |
Swell |
Great/choir |
(Unenclosed) |
(Enclosed) |
(Enclosed) |
(Enclosed) |
|
|
|
|
Sub bass pedal rank |
Harmonic Trumpet |
Rohr Flute |
Diapason 1 |
32ft Bourdon |
Tuba |
Flauto Traverso |
Diapason 2 |
Melotone horn |
Tibia |
Gamba |
Diapason 3 |
|
Harmonic Flute |
Celeste |
Diapason 4 |
|
Vox |
Hautboy |
Principal |
|
Oboe |
Fagottone |
Stopped Diapason |
|
Strings (II) |
Trumpet |
Hohl Flute |
|
Cello |
Geigen |
Posaune 1 |
|
Viole |
French Horn |
Posaune 2 |
|
Celeste |
Mixture II |
Tromba |
|
Clarinet |
Mixture III |
Gemshorn |
|
|
|
Salicional |
|
Xylophone |
Traps |
Cor Anglais |
|
Glockenspiel |
|
Lieblich Flute |
|
|
|
Vox Angelica |
|
|
|
Harmonics (III) |
|
|
|
Mixture II |
|
|
|
Mixture III |
|
|
|
32ft Diaphone |
|
|
|
32ft Posaune |
As can be seen from the above (bearing in mind that this organ uses extension
in many ranks) there are 41 units of pipes, if you count the sub bass as a
unit and include the 32ft ranks as extensions. It can also be seen that there
are five multi-rank mixtures and a strings rank, which consists of two
strings (unison and celeste). This then brings the number of pipe ranks to 50
and if you count the Melotone as a rank this gives the usually quoted rank count
of 51. Note that the diapason chorus is a clever combination of extended and
non-extended ranks - e.g. the Principal 4ft is a separate rank, whereas Diapason
2 is extended. Also Posaune 2 appears at 16ft and 4ft on the Great and at
8ft on the Choir (i.e. it is extended down to 16ft and up to 4ft but its 8ft
range is not available on the same manual). Posaune 1 however appears at 8ft on
the Great, thus giving a full Posaune chorus to the Great with minimal missing
notes.
From the above body of pipes, percussion, traps and Melotone and with very
skilled use of a huge relay system, a classical console of more than 120
speaking stops and a very large theatre organ console draw their respective
tone colours.
More details about the organ specfication can be found at NPOR: www.npor.org.uk/cgi-bin/Rsearch.cgi?Fn=Rsearch&rec_index=N11620
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